Gospel & Universe 🪐 Ars Moriendi

Dying by the Numbers

93

The old man sits by himself in front of the window, while yellow liquid drips slowly onto his shoe.

The boys’ giggles bubble up like cartoon circles, crowding into the rafters of the café.

The giggles bubble up against the windows that look out into the vast long world of continents and endless sky,

until the cumulated hilarity of dribbles turn into a surge his old muscles can no longer contain,

and they explode in laughter as the yellow water streams down the leg of his chair,

and they laugh and they laugh,

and over the years they laugh and they laugh until the tears drip down their faces.

At the Funeral

At the funeral they were dry-eyed from crying for the last eighteen months. The hand of the doctor, which held every chemical and pill known to man, was held back by the lawyers and by the priests in black gowns, doing more rounds.* The doctor, who had sworn to do no harm, had been forced to watch while the pandora box of pills brought on dementia and paroxysm. The hand of the doctor was so shaken with the trembling of the seven million wards of shaking geriatrics, who could neither live nor die, that he couldn't administer the blue pill of release, even if they let him. 

——- * William Blake, stanza 3 from “The Garden of Love” (1794): “And I saw it was filled with graves, / And tomb-stones where flowers should be: / And Priests in black gowns, were walking their rounds, / And binding with briars, my joys & desires.”

 

From Diapers to Diapers, From Dust to Dust

At three you’re happy to get all the toys: rattle, baubles, teeth.

At seventy you watch as each of these is slowly taken from you: hearing, seamen, knees.

At ninety-three you barely see them drifting outward over the dark blue water,

Charon smiting you with his oar, as they drift across the river of oblivion: teeth, baubles, rattle.

Charon-boatman-Michelangelo.jpg

More Then Ten Years Gone*; V is for Victory Gin**


Whereas once he strat through golden grandes avenues nouvelles

Bare-breasted, rippling abs, hair waving to the pretty crowd

Like Robert Plant onstage grinding his fruit machine

Now the spent god waddles like a thing undone

Through the old repetitive self-same streets

Sartre's nausea trailing him everywhere

His face in every window he sees

Upper buttons ten years gone

Barely lifting his head

Like a black dog

In the noon-

Day s

Un

.

——— * Led Zeppelin's "Ten Years Gone" is about love and time ** Victory Gin is the grim drink of defeat in Orwell's Nineteen Eighty-Four. His description of it at the beginning of the novel is as grim as his description at the end: “Winston poured out nearly a teacupful, nerved himself for a shock, and gulped it down like a dose of medicine. Instantly his face turned scarlet and the water ran out of his eyes. The stuff was like nitric acid, and moreover, in swallowing it one had the sensation of being hit on the back of the head with a rubber club. The next moment, however, the burning in his belly died down and the world began to look more cheerful”; “He took up his glass and sniffed at it. The stuff grew not less but more horrible with every mouthful he drank. But it had become the element he swam in. It was his life, his death, and his resurrection. It was gin that sank him into stupor every night, and gin that revived him every morning.”

Next: The Readiness is All

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